隨蜴 諱オ螳溷ュ
Emiko Kasahasa

artist
kasahara_portrait

蠖ォ蛻サ縲√う繝ウ繧ケ繧ソ繝ャ繝シ繧キ繝ァ繝ウ縲∵丐蜒上√ヱ繝輔か繝シ繝槭Φ繧ケ遲峨∵ァ倥縺ェ陦ィ迴セ蠖「蠑上〒菴懷刀繧貞宛菴懊
縺ゥ繧薙↑陦ィ迴セ繧偵→繧阪≧縺ィ繧ゅ√◎縺ョ逶ョ縺ッ縲∬コォ菴薙d諤ァ蟾ョ縲√◎繧後i繧貞桁縺ソ霎シ繧遉セ莨壹d縲√◎縺ョ繧キ繧ケ繝繝縺ォ蜷代°縺」縺ヲ縺繧九ゅ◎縺ョ蛻譫千噪縺ェ蟋ソ蜍「縺ィ蜷梧凾縺ォ縲√≠繧九>縺ッ陬剰ケ縺ォ縲∝クク縺ォ縺昴%縺ォ縺ッ縺ゅk螳倩ス逧縺ェ鄒弱@縺輔′蟄伜惠縺吶k縲

隨蜴滓オ螳溷ュ official site

Collection #42
Offering
2005-2014
蜀 逵
MANUS-CUREcover
MANUS-CURE
1998
繝溘け繧ケ繝医Γ繝繧」繧「
 逡・豁エ

1963縲譚ア莠ャ逕溘∪繧鯉シ乗律譛ャ

1988縲螟壽束鄒手。灘、ァ蟄ヲ螟ァ蟄ヲ髯「鄒手。鍋皮ゥカ遘台ソョ莠

1990縲繧「繧ク繧「譁蛹悶き繧ヲ繝ウ繧キ繝ォ縺ョ諡帙″縺ァ繝九Η繝シ繝ィ繝シ繧ッ縺ォ貊槫惠

1991縲繧ォ繝ォ繝繧」繧ィ迴セ莉」鄒手。楢イ。蝗」繧「繝シ繝繧」繧ケ繝医サ繧、繝ウ繝サ繝ャ繧ク繝繝ウ繧ケ繝サ繝励Ο繧ー繝ゥ繝

1994縲譁蛹門コ∬敢陦灘惠螟也皮ゥカ蜩。縺ィ縺励※繝九Η繝シ繝ィ繝シ繧ッ縺ォ貊槫惠

1997縲繝昴シ繝ゥ鄒手。捺険闊郁イ。蝗」蝨ィ螟也比ソョ

2003縲繝九Η繝シ繝ィ繝シ繧ッ鄒手。楢イ。蝗」繧医j螂ィ蟄ヲ驥

2014~縲螟壽束鄒手。灘、ァ蟄ヲ謨呎肢

 荳サ縺ェ蛟句ア

1986縲逕サ蟒翫ヱ繝ャ繝ォ繧エ繝ウ/譚ア莠ャ

1987縲繧ョ繝」繝ゥ繝ェ繝シ蟆謇句コァ/莠ャ驛ス

1988縲繧ョ繝」繝ゥ繝ェ繝シ螻ア蜿」/譚ア莠ャ

1990縲繝ォ繝翫Α逕サ蟒翫√さ繝舌Ζ繧キ逕サ蟒/譚ア莠ャ

1991縲繧ョ繝」繝ゥ繝ェ繝シHALS/譚ア莠ャ

1992縲繧ウ繝舌Ζ繧キ逕サ蟒/譚ア莠ャ

1997縲Immaculate Fabrication縲縲繝繧、繝√励Ο繧ク繧ァ繧ッ繝 /繝九Η繝シ繝ィ繝シ繧ッ

2001縲Pink縲縲繝帙Ρ繧、繝医懊ャ繧ッ繧ケ /繝九Η繝シ繝ィ繝シ繧ッ

2005縲Offering縲繧ー繝ゥ繝シ繝豌台ソ怜ュヲ蜊夂黄鬢ィ/繧ェ繝シ繧ケ繝医Μ繧「繝サ繧ー繝ゥ繝シ繝

 荳サ縺ェ繧ー繝ォ繝シ繝怜ア
1987 縲撒AMA縲VIVANT窶87縲上す繝シ繝峨帙シ繝ォシ域擲莠ャシ
1988 縲守ャャ8蝗槭ワ繝ゥ繧「繝九Η繧「繝ォ縲丞次鄒手。馴、ィシ域擲莠ャシ
縲守ャャ3蝗樒・槫・亥キ昴い繝シ繝医い繝九Η繧「繝ォ縲冗・槫・亥キ晉恁豌代帙シ繝ォ繧ョ繝」繝ゥ繝ェ繝シシ域ィェ豬懶シ
縲守樟蝨ィ譎ょ宛螻3-繧「繝ォ繧ォ繝繧」繧「縺ク縺ョ繧ケ繝繝繝励上ぐ繝」繝ゥ繝ェ繝シホアMシ域擲莠ャシ
1989 縲守ャ蜴滓オ螳溷ュ+繝「繝九き繝サ繝悶Λ繝ウ繝峨槭う繝、繝シ繧ク繝ァ繧、繝ウ繝亥ア包シ肴オョ驕翫☆繧九b縺ョ縺輔@縲上せ繝代う繝ゥ繝ォ 繝ッ繧ウ繝シ繝ォ繧「繝シ繝医そ繝ウ繧ソ繝シシ域擲莠ャシ
縲手ィ伜捷縺ョ譽ョ繝サ迴セ蝨ィ縺ョ鄒手。薙終MP繝帙シ繝ォシ亥、ァ髦ェシ
縲主悄縺ョ騾蠖「縲乗譛ィ逵檎ォ狗セ手。馴、ィシ亥ョ驛ス螳ョシ
縲守ャャ26蝗樔サ頑律縺ョ菴懷ョカ螻輔乗ィェ豬懷クよー代ぐ繝」繝ゥ繝ェ繝シ
1990 縲取律譛ャ鄒手。薙ョ80蟷エ莉」縲上ヵ繝ゥ繝ウ繧ッ繝輔Ν繝医サ繧ッ繝ウ繧ケ繝医ヵ繧ァ繝ゥ繧、繝ウシ医ラ繧、繝シ会シ井サ悶ラ繧、繝縲√が繝シ繧ケ繝医Μ繧「蟾。蝗槭縲懌91シ
1991 縲守ョア縺ョ荳也阜縲乗ーエ謌ク闃ク陦馴、ィ迴セ莉」鄒手。薙ぐ繝」繝ゥ繝ェ繝シシ郁肩蝓趣シ
縲90蟷エ莉」縺ョ繧「繝シ繝医す繝シ繝ウシ阪ロ繧ェ繝「繝繝九ぜ繝縺ョ4蜈邏縲上↑繧薙ーCITY繝帙シ繝ォシ亥、ァ髦ェシ
縲弱ワ繧、繝悶Μ繝繝峨ぎ繝シ繝繝ウ縲上ン繧ョ繝サ繧「繝シ繝医サ繧ケ繝壹シ繧ケシ井コャ驛スシ 縲弱だ繝シ繝ウ繧コ繝サ繧ェ繝悶サ繝ゥ繝悶乗擲鬮倡樟莉」鄒手。馴、ィ シ域擲莠ャシ峨す繝峨ル繝シ迴セ莉」鄒手。馴、ィシ医が繝シ繧ケ繝医Λ繝ェ繧「シ
縲弱く繝」繝薙ロ繝繝医サ繧ェ繝悶サ繧オ繧、繝ウ繧コ縲 繝繝シ繝医サ繧ョ繝」繝ゥ繝ェ繝シ繝サ繝ェ繝舌励シ繝ォシ医う繧ョ繝ェ繧ケシ 繝帙Ρ繧、繝医メ繝」繝壹Ν繝サ繧ョ繝」繝ゥ繝ェ繝シシ医Ο繝ウ繝峨Φシ 繝「繝ォ繝「繝サ繧ッ繝ウ繧ケ繝医ヵ繧ァ繝ゥ繧、繝ウシ医せ繧ヲ繧ァ繝シ繝繝ウシ会シ医懌92シ
1994 縲守ゥコ髢薙サ譎る俣繝サ險俶カ縲丞次鄒手。馴、ィシ域擲莠ャ縺サ縺九√Γ繧ュ繧キ繧ウ縲√き繝翫ム縲√い繝。繝ェ繧ォ蟾。蝗橸シ シ医懌97シ
1995 縲惹ク榊ョ峨ョ譎ゆサ」縲上ヱ繝ッ繝シ繝励Λ繝ウ繝茨シ医ヨ繝ュ繝ウ繝医サ繧ォ繝翫ムシ
縲取律譛ャ縺ョ迴セ莉」鄒手。1985-1995縲乗擲莠ャ驛ス迴セ莉」鄒手。馴、ィ
1996 縲弱い繧ク繧「螟ェ蟷ウ豢九ヨ繝ェ繧ィ繝ウ繝翫シ繝ャ縲上け繧、繝シ繝ウ繧コ繝ゥ繝ウ繝峨サ繧「繝シ繝医ぐ繝」繝ゥ繝ェ繝シシ医が繝シ繧ケ繝医Λ繝ェ繧「繝サ繝悶Μ繧ケ繝吶Φシ
縲晒ow Here縲上Ν繧、繧ク繧「繝奇シ医さ繝壹Φ繝上シ繧イ繝ウシ
1997 縲弱ヨ繝昴せ縺ョ蠕ゥ讓ゥシ薙上ヲ繝ォ繧オ繧、繝峨サ繧ョ繝」繝ゥ繝ェ繝シシ域擲莠ャシ
縲取昭繧後k螂ウ/謠コ繧峨$繧、繝。繝シ繧ク縲乗譛ィ逵檎ォ狗セ手。馴、ィ
縲取律譛ャ縺ョ迴セ莉」鄒手。灘ア輔丞嵜遶狗樟莉」鄒手。馴、ィシ医た繧ヲ繝ォシ
縲弱い繝シ繝 繧ェ繝ウ 繝壹シ繝代シ縲上え繧ァ繝繝シ繧ケ繝励シ繝ウ繝サ繧「繝シ繝医ぐ繝」繝ゥ繝ェ繝シシ上げ繝ェ繝シ繝ウ繧ケ繝懊Ο縲√い繝。繝ェ繧ォ
1998 縲弱ユ繧、繧ケ繝医→謗「遨カ-1990蟷エ莉」縺ョ譌・譛ャ鄒手。薙丞嵜遶玖ソ台サ」鄒手。薙ぐ繝」繝ゥ繝ェ繝シシ医ル繝・繝シ繝繝ェ繝シ縲√う繝ウ繝会シ
繝槭ル繝ゥ蝗ス遶狗セ手。馴、ィシ医ヵ繧」繝ェ繝斐Φシ
縲守ャ蜴滓オ螳溷ュ+Donald Baechler縲上ョ繝・繧ヲ 繝峨ロ繝サ繧ィ繝繧」繧キ繝ァ繝ウ繧ョ繝」繝ゥ繝ェ繝シシ医ル繝・繝シ繝ィ繝シ繧ッシ
1999 縲手コォ菴薙ョ螟「縲丈コャ驛ス蝗ス遶玖ソ台サ」鄒手。馴、ィ縲∵擲莠ャ驛ス迴セ莉」鄒手。馴、ィ
2000 縲守ャャシ灘屓蜈牙キ槭ン繧ィ繝ウ繝翫シ繝ャ縲擾シ亥牙キ槭サ髻灘嵜シ
縲雑ENDAI 窶 譌・譛ャ縺ョ迴セ莉」鄒手。薙上え繧ク繝」繧コ繝峨え繧ケ繧ュ繝シ迴セ莉」鄒手。薙そ繝ウ繧ソ繝シシ医昴シ繝ゥ繝ウ繝峨サ繝ッ繝ォ繧キ繝」繝ッシ
2001 縲弱Γ繧ャ 繧ヲ繧ァ繧、繝 窶 隨ャシ大屓讓ェ豬懊ヨ繝ェ繧ィ繝ウ繝翫シ繝ャ縲擾シ域ィェ豬懶シ
縲撒ruancy縲上い繝シ繝&繧「繧、繝繧」繧「シ医ル繝・繝シ繝ィ繝シ繧ッシ
縲山ags to Riches縲上け繝ャ繧ケ繧イ鄒手。馴、ィシ医う繝シ繧ケ繝医Λ繝ウ繧ク繝ウ繧ー繝サ繧「繝。繝ェ繧ォシ会シ井サ悶い繝。繝ェ繧ォ蝗ス蜀蟾。蝗槭縲懌03)
縲皿ade in Asia縲上ョ繝・繝シ繧ッ螟ァ蟄ヲ鄒手。馴、ィシ医ョ繝・繝ゥ繝/繧「繝。繝ェ繧ォシ
2002 縲擦hat @ the MIMOCA縲丈クク莠蟶ら謙辭雁シヲ荳驛守樟莉」鄒手。馴、ィシ磯ヲ吝キ晢シ
縲擦ontemporary American Paper Artists縲上さ繝ュ繝ウ繝薙い螟ァ蟄ヲシ医す繧ォ繧エシ
縲拶 Cabinet of Curiosities縲上ル繝・繝シ繝ィ繝シ繧ッ蟶らォ句峙譖ク鬢ィ
縲三ral Fixation縲上ヰ繝シ繝牙、ァ蟄ヲ譁蛹也皮ゥカ謇鄒手。馴、ィシ医い繝翫Φ繝繝シ繝ォ/繧「繝。繝ェ繧ォシ
縲山eflex/Reflejo縲上い繝シ繝茨シ繧「繧、繝繧」繧「シ医Γ繧ュ繧キ繧ウ繧キ繝繧」シ 繧「繝シ繝医ヵ繧ゥ繝シ繝ゥ繝繝吶Ν繝ェ繝ウ縲√い繝シ繝&繧「繧、繝繧」繧「シ医吶Ν繝ェ繝ウシ
2003 縲惨UPER YOU縲上ム繝九お繝ォ縲繧キ繝ォ繝舌シ繧ケ繧ソ繧、繝ウ繝サ繧ョ繝」繝ゥ繝ェ繝シシ医ル繝・繝シ繝ィ繝シ繧ッシ
縲薩ormed to Function縲上ず繝ァ繝ウ 繝溘ャ繧キ繧ァ繝ォ 繧ウ繝シ繝ゥ繝シ繝サ繧「繝シ繝医そ繝ウ繧ソ繝シシ医す繝懊う繧ャ繝ウ繝サ繧「繝。繝ェ繧ォシ
2004 縲傘rivate / Public, 繧ェ繝シ繧ッ繝ゥ繝ウ繝峨ヨ繝ェ繧ィ繝ウ繝翫シ繝ャ縲擾シ上ル繝・繝シ繧ク繝シ繝ゥ繝ウ繝
縲山eason on Emotion, 繧キ繝峨ル繝シ繝薙お繝ウ繝翫シ繝ャ縲擾シ医が繝シ繧ケ繝医Λ繝ェ繧「シ
2005 縲弱ラ繧、繝驫陦後さ繝ャ繧ッ繧キ繝ァ繝ウ縺ョシ抵シ募ケエ縲上ラ繧、繝繝サ繧ー繝繧イ繝ウ繝上う繝鄒手。馴、ィシ医吶Ν繝ェ繝ウシ
縲取律譛ャ縺ョ遏・隕壹上け繝ウ繧ケ繝医ワ繧ヲ繧ケ繝サ繧ー繝ゥ繝シ繝シ医が繝シ繧ケ繝医Μ繧「シ峨槭Ν繧ウシ上ン繝シ繧エシ医せ繝壹う繝ウシ牙イ。譛ャ螟ェ驛守セ手。馴、ィシ亥キ晏エ趣シ会シ医懌06シ
縲弱Ο繝シ繧カ縲丞嵜遶区擲莠ャ闃ク陦灘、ァ蟄ヲシ域擲莠ャシ
縲弱い繝ォ繧ケ繝弱シ繝エ繧。窶披 迴セ莉」鄒手。薙→蟾・闃ク縺ョ迢ュ髢薙↓縲乗擲莠ャ驛ス迴セ莉」鄒手。馴、ィ
2006 縲取擲莠ャ繝悶Ο繝繧ス繝繧コ縲丞次鄒手。馴、ィ縲シ域擲莠ャシ
2007 縲趣シ抵シ蝉ク也エ鄒手。捺爾讀懊乗眠蝗ス遶狗セ手。馴、ィシ域擲莠ャシ
縲弱う繝ウ繝輔ぅ繝九ユ繧」縲乗ーク莠慕・・蟄舌ぐ繝」繝ゥ繝ェ繝シシ域擲莠ャシ
縲弱い繝シ繝医す繧ォ繧エ縲上ず繧ァ繝シ繝繧ケ繧ウ繝シ繧ウ繝ゥ繝ウ繝サ繧ョ繝」繝ゥ繝ェ繝シシ上す繧ォ繧エ
縲弱Γ繝シ繧ュ繝ウ繧ー縲繧「繝繝医繝帙シ繝縲 繧ク繝」繝代Φ繧ス繧オ繧、繧ィ繝繧」シ医ル繝・繝シ繝ィ繝シ繧ッシ
縲弱す繝・繝溘Ξ繝シ繧キ繝ァ繝ウシ夲シ抵シ台ク也エ縺ク縺ョ繧「繧ク繧「縺ョ蜀崎ェ崎ュ倥擾シ医い繝。繝ェ繧ォシ
縲後い繝シ繝医繝上え繧ケ縲搾シ医い繝。繝ェ繧ォシ
2009 縲弱い繝ウ繝翫メ繝・繝ゥ繝ォ 繝ゥ繝舌シ縲上い繝ウ繝繧」繝シ繝サ繧ヲ繧ゥ繝シ繝帙シ繝ォ鄒手。馴、ィシ医い繝。繝ェ繧ォシ
2010 縲弱槭う繝サ繝輔ぉ繧、繝舌Μ繝繝 窶 縺ィ縺ゅk鄒手。薙ョ讀懃エ「逶ョ骭イ縲丈コャ驛ス蝗ス遶玖ソ台サ」鄒手。馴、ィシ井コャ驛スシ
2012 縲弱ヱ繝シ繝輔ぉ繧ッ繝医上う繝ウ繧ソ繝シ繝翫す繝ァ繝翫Ν繝サ繧「繝シ繝医が繝悶ず繧ァ繧ッ繝繧ョ繝」繝ゥ繝ェ繝シシ医い繝。繝ェ繧ォシ
2014 讓ェ豬懊ヨ繝ェ繧ィ繝ウ繝翫シ繝ャ2014縲手庄豌451蠎ヲ縺ョ鄒手。難シ壼ソ伜唆縺ョ豬キ縺ク縺ョ闊ェ豬キ縲擾シ域ィェ豬懶シ
2015 PARASOPHIA: 莠ャ驛ス蝗ス髫帷樟莉」闃ク陦鍋・ュ2015
2016 縲弱が繝シ繝繝シ繝。繧、繝会シ壹◎繧後◇繧後ョ螻戊ヲァ莨壹丈コャ驛ス蝗ス遶玖ソ台サ」鄒手。馴、ィ
縲三ptionalArt Activity:Letters縲週ake Minagawa (譚ア莠ャシ
2017 縲2D繝励Μ繝ウ繧ソ繝シ繧コ繝シ闃ク陦難シ壻ク也阜縺ョ隱崎ィシ繧偵a縺舌k蝠城。後↓縺、縺縺ヲ繝シ縲乗譛ィ逵檎ォ狗セ手。馴、ィ
2018 縲殺XODUS Part 1-A Colossal World縲擾シ医ル繝・繝シ繝ィ繝シ繧ッシ吋eutsche Bank at Frieze Art Fair 繝舌シ繧シ繝ォ縲√せ繧、繧ケ
 荳サ縺ェ繝代ヶ繝ェ繝繧ッ繧ウ繝ャ繧ッ繧キ繝ァ繝ウ

莠ャ驛ス蝗ス遶玖ソ台サ」鄒手。馴、ィ
譚ア莠ャ驛ス迴セ莉」鄒手。馴、ィ
譚ア莠ャ繝薙ャ繧ー繧オ繧、繝
譬譛ィ逵檎ォ狗セ手。馴、ィ
蜴溽セ手。馴、ィ/譚ア莠ャ
繧、繝エ繝サ繧ッ繝ゥ繧、繝ウ雋。蝗」/繧「繝。繝ェ繧ォ
繧ッ繧、繝シ繝ウ繧コ繝ゥ繝ウ繝峨い繝シ繝医ぐ繝」繝ゥ繝ェ繝シ/繝悶Μ繧ケ繝吶Φ
繧ケ繝医ぇ繝輔ぃ繝ウ繧ー雋。蝗」/繝ェ繝偵ユ繝ウ繧ケ繧ソ繧、繝ウ
繝斐シ繧ソ繝シ繝サ繝弱シ繝医Φ雋。蝗」/繝ュ繧ケ繝サ繧「繝ウ繧ク繧ァ繝ォ繧ケ

 髢「騾」繝九Η繝シ繧ケ

2005.06.14縲蛟句ア輔経ffering縲阪/荳サ蛯ャ繧ッ繝ウ繧ケ繝医ワ繧ヲ繧ケ縲繧ー繝ゥ繝シ繝豌第酪蜊夂黄鬢ィシ医が繝シ繧ケ繝医Μ繧「/繧ー繝ゥ繝シ繝シ

DREAMMA

DREAM MASTER  1995
螟ァ逅遏ウ  93.4×66.6×33.3cm
謦ョ蠖アシ咾hristopher Smith

UNTITL3

UNTITLED -Slit #1-  1995
螟ァ逅遏ウ縲 34.3×48.6×22.8cm
謦ョ蠖アシ咾hristopher Smith

UNTITLED-D.U.

UNTITLED -Double Urinal-  1993
螟ァ逅遏ウ縲蜷24x19x19cm
謦ョ蠖アシ咾hristopher Smith

SREUCTURE#9-01

STRUCTURE #9  2001
莉倥¢縺セ縺、豈帙∫エ吶∫ウ  101.5x82cm

SREUCTURE#9-02

STRUCTURE #9  邏ー驛ィ

MANUS-CURE

MANUS-CURE  1998
蜀咏悄シ壽擲莠ャ驛ス迴セ莉」鄒手。馴、ィ
謦ョ蠖アシ哺ari Sakamoto

UNTITLE

UNTITLED -Three Types-縲1993
譛ィ縲∝ク縲√せ繧ソ繧、繝ュ繝輔か繝シ繝縲√せ繝繝ウ繝ャ繧ケ縲√せ繝√シ繝ォ縲√す繝ェ繧ウ繝ウ 71×77.5x165cm
謦ョ蠖アシ哺areo Suemasa

UNTITL2

UNTITLED -Three Types- 邏ー驛ィ
謦ョ蠖アシ哺areo Suemasa

PINK_7

PINK #7縲1996-7
繝繧ク繧ソ繝ォ繝励Μ繝ウ繝医124×152.5cm

PINK_IN

PINK #7縲1996-7
蜀咏悄シ壽譛ィ逵檎ォ狗セ手。馴、ィ
謦ョ蠖アシ哺asaaki Hirakata

LACHARM #1-01

LA CHARME #1縲2001
莠コ蟾・豈幃ォェ縲∝粋譚ソ縲∝ク縲.VD荳頑丐縲逶エ蠕蜷172.7cm

LA CHAR#1-02

LA CHARME #1縲2001
繝代ヵ繧ゥ繝シ繝槭Φ繧ケ

LA CHARM#2

LA CHARME #2縲2001
莠コ蟾・豈幃ォェ縲∝粋譚ソ縲∝ク縲.VD荳頑丐縲逶エ蠕117cm

LACHARME.-2

LA CHARME #2縲2001
繝代ヵ繧ゥ繝シ繝槭Φ繧ケシDVD繧医jシ

Emiko Kasahara
隨蜴溘諱オ螳溷ュ

artist
kasahara_portrait

It is over ten years since Emiko Kasahara moved to New York to work as an artist. In Japan she first came to notice with her sculpture and after that with a variety of media such as video installation and performance work.She looks at the way the body and sexual differences are represented in society. Although she takes a very analytical stance there is always at the same time a sensual beauty to be found in her work.

At Edition Works Kasahara made a multiple work entitled “MANUS- CURE”. This consisted of 1050 colors of nail polish painted onto polyester film. The colors were then cut into small squares, culminating in thirty pages. With their names screen printed below and arranged alphabetically, they were placed in a mirror-like stainless steel box – somewhat like a cosmetic box. When we consider the visual beauty of the work and the 1050 nail polishes one by one, we think of the origin of the production of these manufactured goods in the search for beauty. We reflect not only upon how female beauty is packaged in the present but also historically, how it has continued to be manufactured and marketed.

Emiko Kasahara official site

Collection #42
Offering
2005-2014
digital print
MANUS-CUREcover
MANUS-CURE
1998
mixed media
Biography

1963縲Born inTokyo, Japan

1988縲MFA from Tama Art University Tokyo, Japan

1990縲Grant from Asian Cultural Council, U.S.A

1991縲Artist in residence at Cartier Foundation pour l’art contemporain, France

1994縲Grant from Agency for Cultural Affairs in Japan

1997縲Grant from Pola Art Foundation, Japan

2003縲Grant from New York Foundation for the Art, U.S.A.

2014~縲A professor at Tama Art University

 Selected Solo Exhibitions

1986縲Gallery Parergon, Tokyo, Japan

1987縲Galleri Iteza, Kyoto, Japan

1988縲Gallery Yamaguchi, Tokyo, Japan

1990縲Gallery Lunami, Tokyo,Japan, Gallery Kobayashi, Tokyo, Japan

1991縲Gallery Hals, Tokyo, Japan

1992縲Gallery Kobayashi, Tokyo, Japan

1997縲”Immaculate Fablication”, Deitch Projects, New York, U.S.A.

2001縲”Pink”, White Box, New York, U.S.A.

2005縲”Offering”, Volkskundemuseum graz, Austria

 Selected Group Exhibitions
1987 “TAMA VIVANT ’87”, The Seed Hall, Tokyo, Japan
1988 The 8th Hara Annual, Hara Museum of Contemporary Art, Tokyo, Japan
The 3rd Kanagawa Art Annual, Kanagawa Prefecture Gallery, Yokohama, Japan
“Step toward Arcadia”, Gallery ホアM, Tokyo, Japan
1989 “Emiko Kasahara + Monika Brandmeir -Floating Scale-“, Spiral/Wacoal Art Center, Tokyo, Japan
“Women Artists’ of the Day”, IMP Hall, Osaka, Japan
“Japanese Clay Work Today”, Tochigi Prefecture Museum of Fine Art, Tochigi, Japan
“The 26th Artists Today Exhibition”, Yokohama Citizens Gallery, Yokohama, Japan
1990 “Japanese Kunst der Achtziger Jahre”, Frankfurter Kunstverein, Germany. Traveling exhibition in Germany and Austria (-91)
“The World of Boxes”, Contemporary Art Gallery, Art Tower Mito, Ibaragi, Japan
“Art Scene of the 1990s”, Namba CITY City Hall, Osaka, Japan
1991 A Hybrid Garden, Bigi Art Space, Kyoto, Japan
“Zones of Love”, Tokyo Museum of Contemporary Art, Tokyo, Japan etc. Exhibition also traveled to the Museum of Contemporary Art Sydney, Australia, and New Zealand
“Cabinet of Signs”, Tate Gallery Liverpool, England. Also White Chapel Gallery, London, England
1994 “Space, Time, Memory: Photography and Beyond in Japan”, Hara Museum of Contemporary Art, Tokyo, Japan. Exhibition also traveled to Rufino Tamayo Museum, Mexico, Vancouver Art Gallery, Canada,
Los Angeles County Museum of Art, Corcoran Gallery of Art and Denver Art Musum,
The Contemporary Art Museum, Honolulu, U.S.A. (-97)
1995 “The Age of Anxiety”, Power Plant, Toronto, Canada
“Tokyo Big Sight Art Work Project”, Tokyo International Exhibition Center, Tokyo, Japan
“Art in Japan Today 1985-1995” Museum of Contemporary Art in Tokyo, Tokyo, Japan
1996 “Asia-Pacific Contemporary Art Triennial”, Queensland Art Gallery, Brisbane, Australia
“Nowhere -Incandescent-“, Louisiana, Copenhagen, Denmark
1997 “Art on Paper”, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, NC, U.S.A.
“Resurrection of Topos 3”, Asakura Gallery & Hillside Forum, Tokyo, Japan
“Floating Image of Women in Art History”, Tochigi Prefecture Museum of Fine Arts, Tochigi, Japan
“Japanese Art Exhibition”, National Art Museum of Contemporary Art, Seoul, Korea
1998 “Narrative Art from Collection, part I: Anthology – Books, Death, Mode, Gender”, Tochigi Prefecture Museum of Fine Art, Tochigi, Japan
“Tastes and Pursuits: Japanese Art in the 1990s”, National Gallery of Modern Art, New Delhi, India, Metropolitan Museum of Manila, Republic of The Philippines
“Emiko Kasahara + Donald Baechler”, Edition Gallery at Dieu Donn
1999 “Visions of The Body: Fashion or Invisible Corset”, The National Museum of Modern Art, Kyoto, Japan, Also traveled to the Museum of Contemporary Art, Tokyo, Japan
2000 “The 3rd Kwangju Biennale”, Kwangju, Korea
“Gendai Japanese Contemporary Art -Between Body and Space-” Center for Contemporary Art Ujadowski Castle, Warsaw, Poland
2001 Yokohama Triennale, Yokohama, Japan
“Trauancy”, Art & Idea, New York, U.S.A.
“Rags to Riches”, Kresge Art Museum. Exhibition also traveled to Maryland Institute College of Art,
Marianna Kistler Beach Museum of Art, Hecksher Museum of Art, Milwaukee Art Museum,
Fort Wayne Museum of Art, U.S.A. (-03)
“Made in Asia”, Duke University Museum of Art, Durham, U.S.A.
“Sighting:Three Japanese Artists”,White Box, New York, U.S.A.
2002 “Chat @ the MIMOCA”, Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan
“Contemporary American Paper Artists”, Columbia College Chicago, U.S.A.
“A Cabinet of Curiosities”, The New York Public Library, New York, U.S.A.
“Oral Fixation”, Center for Cultural Studies Museum at Bard College, Annandale-on-Hudson, U.S.A.
“Reflex / Reflejo”, Art & Idea, Mexico City, Mexico
2003 “SUPER YOU”, Daniel Silverstein Gallery, New York, U.S.A.
Emiko Kasahara at ART & IDEA room, SCOPE, New York, U.S.A.
“Formed to Function”, John Micheal Kohler Arts Center, Sheboygan, U.S.A.
2004 “On Reason and Emotion”, Auckland Triennale, Auckland, New Zealand, Sydney Biennale
2005 “CHIKAKU”, Kunsthaus Graz, Austria
Deutsche Guggenheim, Berlin
2006 “CHIKAKU”, The Taro Okamoto Museum of Art, Kawasaki, Japan
“Tokyo Blossoms”, Hara Museum of Art, Tokyo, Japan
2007 “Art House”, Miami, FL, U.S.A.
“Simulation: Refiguring “Asia” for the 21st Century”, Asian Contemporary Art Fair, NYC, U.S.A.
“Making at Home”, Japan Society, New York, U.S.A.
James Corcoran Gallery at Art Chicago, Illinois, U.S.A. “Infinity”, Shoko Nagai Gallery, Tokyo, Japan
2009 “Unnatural Rubber”, The Andy Warhol Museum, Pittsburg, PA, USA
2010 “My Favorites-Index of a Certain Collection”, Museum of Modern Art, Kyoto, Japan
2012 “Perfect”, International Art Objects Galleries, LA, CA, U.S.A.
2014 “Yokohama Triennale 2014, ART Fahrenheit 451: Sailing into the sea of oblivion”, Yokohama, Japan
2015 “PARASOPHIA: Kyoto International Festival of Contemporary Culture 2015窶, Kyoto, Japan
 Collections

Cantor Center for Visual Art at Stanford University, U.S.A.
Deutsh Bank Tokyo, Japan
Fogg Art Museum at Harvard University,Cambridge, U.S.A.
Hara Museum of Contemporary Art, Tokyo, Japan
Ise Foundation,Tokyo, Japan
Museum of Contemporary Art Tokyo, Tokyo, Japan
New york Public Library, New York, U.S.A.
Norton Family Foundation, Los Angeles, U.S.A.
Queensland Art Gallery, Brisbane, Australia
Spiral/Wacoal Art Center,Tokyo, Japan
Stiftung fur Gegenwartskunst, Balzers, Lichtenstein
The National Museum of Modern Art, Kyoto, Japan
Tochigi Prefecture Museum of Fine Art, Tochigi, Japan
Tokyo Big Sight, Tokyo, Japan
U.C. Berkley Art Museum, Berkley, U.S.A.
Yves Klein Foundation, Arizona, U.S.A.

 News

2005.06.14縲窶抂ffering窶, Volkskundemuseum graz, Austria

DREAMMA

DREAM MASTER  1995
marble  93.4×66.6×33.3cm
photoシ咾hristopher Smith

UNTITL3

UNTITLED -Slit #1-  1995
marble, water, bleach縲 34.3×48.6×22.8cm
photoシ咾hristopher Smith

UNTITLED-D.U.

UNTITLED -Double Urinal-  1993
marble, water, bleach
24x19x19cm for each
photoシ咾hristopher Smith

SREUCTURE#9-01

STRUCTURE #9  2001
false eyelashes, paper, glue
101.5x82cm

SREUCTURE#9-02

Detail of “STRUCTURE #9”

MANUS-CURE

MANUS-CURE  1998
Installation view at the
Museum of Contemporary Art Tokyo
photo: Mari Sakamoto

UNTITLE

UNTITLED -Three Types-縲1993
wood, cloth, styrofoam, stainless steel, silicon
71×77.5x165cm
photoシ哺areo Suemasa

UNTITL2

Detail of “UNTITLED -Three Types-”
photoシ哺areo Suemasa

PINK_7

PINK #7縲1996-7
digital print縲124×152.5cm

PINK_IN

PINK #7縲1996-7
Installation view at theTochigi Prefecture Museum of Fine Art
photoシ哺asaaki Hirakata

LACHARM #1-01

LA CHARME #1縲2001
synthetic hair, plywood, cloth and DVD on monitor
172.7cm diameterテ7 pieces

LA CHAR#1-02

LA CHARME #1縲2001
Performance view

LA CHARM#2

LA CHARME #2縲2001
synthetic hair, plywood, cloth
DVD on monitor
117cm diameter

LACHARME.-2

LA CHARME #2縲2001
Performance view from DVD on the installation.
Duration 25 min.