螻ｱ蜿｣ 阯
Ai Yamaguchi
逕ｻ螳ｶ/painter
荳ｻ縺ｫ繧｢繧ｯ繝ｪ繝ｫ繧堤畑縺縺ｦ縲√ｵ縺上ｉ縺ｿ縺ｮ縺ゅｋ謾ｯ謖∽ｽ薙ｮ荳翫↓邨ｵ逕ｻ繧貞宛菴懊
郢顔ｴｰ縺ｧ螢翫ｌ繧縺吶￥縲√＠縺九＠蜷梧凾縺ｫ蠑ｷ縺輔ｒ謖√▲縺ｦ逕溘″繧句ｰ大･ｳ縺溘■縺ｮ諢滓ｧ繧偵＠縺ｪ繧縺九↓謠上￥縲
縺昴ｮ闊槫床險ｭ螳壹ｯ縲後→縺縺偵ｮ縺願幻繧縲阪〒驕雁･ｳ縺ｨ縺励※證ｮ繧峨☆蟆大･ｳ縺溘■縲 豎滓虻譛溘ｮ譁蛹悶ｄ鬚ｨ菫励∵律譛ｬ逧縺ｪ繧九ｂ縺ｮ縲√◎繧後ｉ繧定ｱ｡蠕ｴ縺吶ｋ縲後→縺縺偵ｮ縺願幻繧縲阪ｮ荳ｭ縺ｫ菴懆閾ｪ霄ｫ縺碁剄繧顔ｫ九■縲∝ｽｼ螂ｳ縺溘■縺ｮ譌･蟶ｸ繧定ｦ九▽繧√∵ュ譎ｯ縺悟繧雁叙繧峨ｌ縺ｦ繧縺上
繧ｨ繝繧｣繧ｷ繝ｧ繝ｳ繝ｻ繝ｯ繝ｼ繧ｯ繧ｹ縺ｧ縺ｯ1998蟷ｴ繧医ｊ縲驫迚育判繧剃ｸｭ蠢縺ｫ讒倥縺ｪ謚豕輔〒迚育判菴懷刀繧貞宛菴懊
Painter.
Yamaguchi works using acrilyc paint on swelling shaped canvas mainly.
On the canvas she describes gracefully the sensibility of girls who have fragility and strength at the same time.
The scenery is “Touge no chaya” the geisha house in Edo era and the girls work there.
“Touge no chaya” is a kind of symbol of the culture and customs in Edo era. Yamaguchi goes down into there and observes the girls’ quotidian life.
The scenes of paintings are cut off from those girls’ lives by the artist with Edo era method, Ukiyoe style and contemporary manner.
At Edition Works, Yamaguchi is making etchings and other prints from 1998.
| 1977 | 譚ｱ莠ｬ縺ｫ逕溘∪繧後ｋ |
| 螂ｳ蟄千ｾ手｡灘､ｧ蟄ｦ闃ｸ陦灘ｭｦ驛ｨ蟾･闃ｸ遘托ｼ育ｹ泌ｰよ判ｼ峨↓縺ｦ蟄ｦ縺ｶ | |
| 1999 | ninyu works 邨先 |
| 2022 | 縲悟ｱｱ縺ゅ＞縺ｮ豁後 繝溘ュ繝槭い繝ｼ繝医ぐ繝｣繝ｩ繝ｪ繝ｼｼ乗擲莠ｬ |
| 2018 | 縲御ｻ翫→蜿､繧昴↓縲 繝溘ュ繝槭い繝ｼ繝医ぐ繝｣繝ｩ繝ｪ繝ｼｼ乗擲莠ｬ |
| 2017 | 縲軍esident Artist Project vol.1 Ai Yamaguchi縲 闡牙ｱｱ譛画ｨｹ繧ｹ繧ｿ繧ｸ繧ｪｼ丈ｽ占ｳ 縲後く繝･繝ｬ繝ｼ繧ｿ繝ｼ繧ｺ繧ｻ繝ｬ繧ｯ繧ｷ繝ｧ繝ｳ #02縲螻ｱ蜿｣阯阪 螂ｳ蟄千ｾ弱ぎ繝ｬ繝ｪ繧｢繝九こｼ乗擲莠ｬ |
| 2014 | 縲後＠繧薙■縺励ｊ繧薙 Joshua Liner Galleryｼ上ル繝･繝ｼ繝ｨ繝ｼ繧ｯ縲√い繝｡繝ｪ繧ｫ |
| 2012 | 縲後⊇縺励 繝溘ュ繝槭い繝ｼ繝医ぐ繝｣繝ｩ繝ｪ繝ｼｼ乗擲莠ｬ 縲悟ｱｱ蜿｣阯阪ｻPIP&POPｼ壹≧縺溘°縺溘√◆繧縺溘≧ 窶 the blinking of an eye-縲阪せ繝代う繝ｩ繝ｫ繧ｬ繝ｼ繝繝ｳｼ乗擲莠ｬ 縲梧取律縺ｾ縺 縲 10 Chancery Lane Galleryｼ城ｦ呎ｸｯ 縲後ｈ繧阪％縺ｳ 縲 NaDiff modernｼ乗擲莠ｬ |
| 2011 | 縲碁峇髫縲 Aki Galleryｼ丞床蛹励∝床貉ｾ |
| 2010 | 縲後⊇縺後ｉ縺ｻ縺後ｉ縲 繝翫ョ繧｣繝繝輔ぐ繝｣繝ｩ繝ｪ繝ｼｼ乗擲莠ｬ 縲後″繧縲 繝溘ュ繝槭い繝ｼ繝医ぐ繝｣繝ｩ繝ｪ繝ｼｼ乗擲莠ｬ |
| 2008 | 縲瑚干縺ｯ驥弱↓縺ゅｋ繧医≧縺ｫ縲 Roberts & Tltonｼ上Ο繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ |
| 2007 | 縲悟ｱｱ縲√ｯ繧九ｋ縲 繝溘ュ繝槭い繝ｼ繝医ぐ繝｣繝ｩ繝ｪ繝ｼｼ乗擲莠ｬ |
| 2006 | 縲窪 no e: Pictures of Pictures縲 GR2ｼ上Ο繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ |
| 2004 | 縲後♀繧縺吶∩縲阪Shaheen Modern & Contemporary Artｼ上け繝ｪ繝ｼ繝悶Λ繝ｳ繝峨√い繝｡繝ｪ繧ｫ 縲後ｯ繧九ｮ繧縺上∈縲 Mizuho Oshiro繧ｮ繝｣繝ｩ繝ｪ繝ｼｼ城ｹｿ蜈仙ｳｶ 縲瑚干縺ｿ縺ｦ證ｮ繧峨☆譏･縲 NADiffｼ乗擲莠ｬ (NADiff bisｼ丞ｮｮ蝓 縺ｸ蟾｡蝗) |
| 2003 | 縲後☆縺上≧縺ｨ縺薙 Roberts & Tiltonｼ上Ο繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ 縲瑚干陲九 繝薙Η繝ｼ繧､繝ｳ繧ｰ繝ｫ繝ｼ繝ｽ･繝ｨ繝ｨ繧ｮｼ上ぎ繝ｬ繝ｼ繧ｸ/譚ｱ莠ｬ |
| 2002 | 縲悟ｾ梧悃縲 繧ｮ繝｣繝ｩ繝ｪ繝ｼ繝ｻ繧､繝ｴｼ乗擲莠ｬ 縲悟ｱｱ蜿｣阯 蛟句ｱ輔 Giant Robot Storeｼ上Ο繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ 縲悟ｱｱ蜿｣阯 蛟句ｱ輔 Stefan Stux Galleryｼ上ル繝･繝ｼ繝ｨ繝ｼ繧ｯ縲√い繝｡繝ｪ繧ｫ |
| 2001 | 縲後♀縺ｿ縺ｪ縺医＠縲 NADiff bisｼ丞ｮｮ蝓 縲檎ｬ鷹摩譚･遖上 繧ｷ繝悶Ζ隘ｿ豁ｦ鄒手｡鍋判蟒奇ｼ乗擲莠ｬ |
| 2000 | 縲梧丼縺ｫ遏･繧峨ｌ縺ｬ闃ｱ縲 NADiffｼ乗擲莠ｬ 縲後ｂ縺薙ｂ縺薙ｮ譛医 NADiffｼ乗擲莠ｬ 縲後°繧繧阪 繧ｵ繝ｭ繝ｳ邊具ｼ冗浹蟾 |
| 2021 | 縲梧裏逡後 Hwas Galleryｼ丈ｸ頑ｵｷ縲∽ｸｭ蝗ｽ |
| 2020 | 縲袈ninterrupted Wander 竏 荳肴妙縺ｮ蠖ｷ蠕ｨ縲 繝溘ュ繝槭い繝ｼ繝医ぐ繝｣繝ｩ繝ｪ繝ｼｼ乗擲莠ｬ 逾槫ｮｮ縺ｮ譚懆敢陦鍋･ｭ縲檎ｴｫ蟷ｹ鄙闡 竏 逋ｾ蟷ｴ縺ｮ譚懊ｮ繧｢繝ｼ繝医 譏取ｲｻ逾槫ｮｮ繝溘Η繝ｼ繧ｸ繧｢繝ｼ乗擲莠ｬ |
| 2018 | 縲瑚痩螻ｱ譛画ｨｹ縲》akeshibuya縲∝ｱｱ蜿｣阯阪 闡牙ｱｱ譛画ｨｹ繧ｹ繧ｿ繧ｸ繧ｪｼ丈ｽ占ｳ |
| 2017 | 縲靴ool Japan 窶 worldwide fascination in focus縲庚useum Volkenkundeｼ上Λ繧､繝繝ｳ縲√が繝ｩ繝ｳ繝 縲栗MPACT! II 螂ｮ縺縲 繧ｮ繝｣繝ｩ繝ｪ繝ｼ譯懈棊ｼ剰肩蝓 |
| 2016 | 縲栗MPACTS! 繝ｻ蜍｢縺ｿ縲 繧ｮ繝｣繝ｩ繝ｪ繝ｼ譯懈棊ｼ剰肩蝓 |
| 2015 | 縲隈iant Robot Biennale 4縲 Japanese American National Museumｼ上Ο繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ 縲後お繝繧｣繧ｷ繝ｧ繝ｳ繝ｻ繝ｯ繝ｼ繧ｯ繧ｹ縲Prints & Originals縲 Gallery SPEAK FORｼ乗擲莠ｬ |
| 2014 | 縲栗MPACTS! 繝ｻ蜍｢縺ｿ縲 ZANE BENNETT Contemporary Artｼ上し繝ｳ繧ｿ繝輔ぉ縲√い繝｡繝ｪ繧ｫ 縲悟､ｧ蜿､莠玖ｨ伜ｱ輔莠疲─縺ｧ蜻ｳ繧上≧縲∵帙→蜑ｵ騾縺ｮ迚ｩ隱槭 螂郁憶逵檎ｫ狗ｾ手｡馴､ｨ 縲靴onversations through the Asian collections縲 Art Gallery of New South Walesｼ上す繝峨ル繝ｼ縲√が繝ｼ繧ｹ繝医Λ繝ｪ繧｢ |
| 2013 | 縲梧ｵｮ荳也ｵｵPOP縲豎滓虻縲懃樟莉｣縺ｮ繝昴ャ繝励き繝ｫ繝√Ε繝ｼ縲 髱吝ｲ｡蟶よ擲豬ｷ驕灘ｺ驥咲ｾ手｡馴､ｨｼ城撕蟯｡ 縲後Ρ繝ｳ繝繝輔Ν繝ｻ繝槭う繝ｻ繧｢繝ｼ繝 窶 鬮俶ｩ九さ繝ｬ繧ｯ繧ｷ繝ｧ繝ｳ縺ｮ菴懷ｮｶ縺溘■縲 豐ｳ蜿｣貉也ｾ手｡馴､ｨｼ丞ｱｱ譴ｨ 縲靴rossover縲 AKI Galleryｼ丞床蛹励∝床貉ｾ 縲鍬OOK EAST! 2 窶 Asian Perspectives縲 Mizuma Galleryｼ上す繝ｳ繧ｬ繝昴ｼ繝ｫ |
| 2012 | 縲後ず繝代Φ繧ｰ螻 -豐ｸ鬨ｰ縺吶ｋ譌･譛ｬ縺ｮ迴ｾ莉｣繧｢繝ｼ繝-縲 譁ｰ貎溽恁遶倶ｸ莉｣蟲ｶ鄒手｡馴､ｨ /譁ｰ貎滂ｼ2013 鬮伜ｴ主ｸらｾ手｡馴､ｨ /鄒､鬥ｬ縲∝ｫ謌ｸ蟶らｾ手｡馴､ｨ /髱呈｣ｮ縲∫ｧ狗伐逵檎ｫ玖ｿ台ｻ｣鄒手｡馴､ｨ /遘狗伐縺ｸ蟾｡蝗橸ｼ 縲桑amisaka Sekka 窶 dawn of modern Japanese design縲喉rt Gallery of New South Wales /繧ｪ繝ｼ繧ｹ繝医Λ繝ｪ繧｢ |
| 2011 | 縲兄IPANGU -31莠ｺ縺ｮ豌鈴強菴懷ｮｶ縺悟繧頑挙縺上∫樟莉｣譌･譛ｬ縺ｮ繧｢繝ｼ繝医す繝ｼ繝ｳ縲-縲 譌･譛ｬ讖矩ｫ伜ｳｶ螻 /譚ｱ莠ｬｼ亥､ｧ髦ｪ鬮伜ｳｶ螻九∽ｺｬ驛ｽ鬮伜ｳｶ螻九∈蟾｡蝗橸ｼ |
| 2009 | 縲君ovember Steps -Susan Phillipsz & Gallery Artists-縲 繝溘ュ繝槭い繝ｼ繝医ぐ繝｣繝ｩ繝ｪ繝ｼ /譚ｱ莠ｬ |
| 2008 | 縲勲acrocosm縲 Roberts & Tilton /繝ｭ繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ 縲薫ff the Railsｽ懷渚荳ｻ豬√庚izuma and One Gallery/蛹嶺ｺｬ縲∽ｸｭ蝗ｽ |
| 2006 | 縲轡O NOT STACK縲 Roberts & Tilton/繝ｭ繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ 縲2006 繧ｰ繝ｫ繝ｼ繝励す繝ｧ繝ｼ縲 Mizuho Oshiro繧ｮ繝｣繝ｩ繝ｪ繝ｼ/鮖ｿ蜈仙ｳｶ 縲熊ictionｼLove縲 Museum of Contemporary Art Shanghai/荳頑ｵｷ縲∽ｸｭ蝗ｽｼSingapore Art Museum/繧ｷ繝ｳ繧ｬ繝昴ｼ繝ｫ縺ｸ蟾｡蝗橸ｼ |
| 2005 | 縲荊ake art collection 2005縲守ｾ手｡鍋卆雋ｨ蠎励上 繧ｹ繝代う繝ｩ繝ｫ繧ｬ繝ｼ繝繝ｳ/譚ｱ莠ｬ 縲袈ntitled縲 Roberts & Tilton/繝ｭ繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ 縲窟繝ｩ繝ｳ繝√ 繧｢繧ｯ繧ｷ繧ｹ繧ｮ繝｣繝ｩ繝ｪ繝ｼ繧｢繝阪ャ繧ｯ繧ｹ/譚ｱ莠ｬ |
| 2004 | 縲窪YE OF THE NEEDLE縲阪Roberts & Tilton/繝ｭ繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ 縲熊iction. Love-Ultra New Vision in Contemporary Art縲 Museum of Contemporary Art Taipei/蜿ｰ蛹励∝床貉ｾ 縲薫FFICINA ASIA縲宏alleria d窶僊rte Moderna/繝懊Ο繝ｼ繝九Ε縲√う繧ｿ繝ｪ繧｢ |
| 2003 | 縲郡till Waters縲阪Roberts & Tilton/繝ｭ繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ縲√い繝｡繝ｪ繧ｫ |
| 2002 | 縲後き繧ｲ繧ｭ繝ｻ繝｡繝医ル繝溘け繧ｹｼ磯℃豼縺ｪ謠帛湊ｼ峨 Stefan Stux Gallery/繝九Η繝ｼ繝ｨ繝ｼ繧ｯ縲√い繝｡繝ｪ繧ｫ |
/Roberts & Tilton (繝ｭ繧ｵ繝ｳ繧ｼ繝ｫ繧ｹ)縲2003
2004
/NADiff/a/p/a/r/tｼ域擲莠ｬ/諱ｵ豈泌ｯｿｼ峨2010